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No. 260 - Aluminum series
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The current imagery can best be explained as simultaneous. The visual language that I’m speaking is a form of self-dialogue that resides in objects, systems and scenarios that are at the edge of abstraction.
Understanding them is less important than sensing their intrinsic nature.
Developing the imagery is a non-linear, intimate logic. I work in a thought process that keeps as many doors open as possible. The conceptual connections, which eventually become visual signals, are drawn in collaborative moments.
The objects have origins in human, geologic, mythic or universal themes.
They are meant to suggest.
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