dimension 3' is probably the best example of what I was trying to explore and accomplish when I started this series; it has great depth, unimaginable shadow patterns, and is extremely dynamic depending on its placement and where the viewer sees the piece from. To demonstrate just how dynamic the piece is, I’ve included an ‘artsy’ picture, that shows the multi-layering of shadows the piece offers, sitting currently on a stairwell wall, mid-landing with a clear glass skylight above; at almost every hour of the day the shadows and look of the work changes, and reengages me with great joy & excitement in its look and dynamisms that it displays. Part of a series of 9 monochromatic pieces called the 'shade & shadows' series, made for my first public show in San Francisco, the series explores the use of geometric shapes in mostly abstract designs that were specifically created with lighting in mind, casting intriguing & varied layers of shadows. The series was also created with the idea of using rough wood pieces (not highly refined, sanded, or finished) to make up each individual work, and to read as ‘rough wood’ when viewed up-close, but to look much more refined and finished from afar, or at a standard viewing distance. The series evolved as each piece was designed and moved in ways that I had never imagined. (Note: shipping is an estimate, & depends on details; arrangements to be mutually agreed upon)
dimensions 3′
$2,200
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STATEMENT
I see life in shapes and forms, angles and perspectives – always have and I’m sure I always will. My work accentuated by lighting & shadows is contemporary and abstract; yet my sculptures and art come from my soul and are created with a deep sense of humanity and warmth which many viewers have shared with me when they see my creations in person. The work is dynamic and engaging, and shifts depending on the lighting and on one’s point of view, personal background and life experiences. I hope that it can encourage a conversation among viewers that allows for an exchange of differing perspectives, both literally and figuratively. My designs are an esoteric response to the world I see daily, and my need to reflect that in both an orderly and disorderly art form, which often helps me to deal with both the beauty and senselessness I see in today’s world; in some way they are my “hope for humanity”.
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