This more restrained portrait reflects my interest in figures observing one another. Shape informs the psychologically of a painting. Shape divides this figure’s face to surface a hidden duality. Shape also divides the environment; one side is simple and the other employs fragmented geometry to build an audience of observers representing one’s most critical internal voices.
Sitting With an Audience II
$2,750
Certified Trade Buyers only. To register, click here.
EC Services;
- Questions about this piece?
- Interested this artist’s work or other pieces in our showroom? We will happily find artwork for you.
- Looking for a special commissioned piece? EC can help!
Want to save this artwork?
Create an official EC account!
STATEMENT
My work is generally about two things, (a) making pictures that move back and forth between reality and the past, and (b) mark-making as evidence of the body. I approach painting with a theatrical and expressive perspective, drawing from sources in art history, theatre and photojournalism. Different scenes dissolve into one another. For example, an image of a café owner closing his dinning room will bleed into a grove of mossy oak trees. Repetition of the figure is used to evoke authority and hierarchy in much of my recent work. I’m also interested in the themes of observance and powerlessness. I use painting, drawing and scratching veiled over one another to build an accumulation of experience and memory. I’m aware of my intuition and appreciate how the body and mind work in a choreography to mark the surface. Paintings validate the artist’s body. They are products of our performance as well as reinforcements of hope and faith. Hope stays the artist through the working of a painting and faith tells them it’s finished.
More About Artist