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Inside Outside Recovery Bad (LES, Manhattan)
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Inside Outside Windowphilia are life-sized ink and watercolor paintings of windows on paper play with reflection and layers of external and internal space. Inside Outside Recovery Bad (LES, Manhattan) is a view of an abandoned storefront on the Lower East Side of Manhattan. The badly drawn batman tagged with the word bad and a dripping paint splatter along with a taped on oggly-eye show the interactive nature of the scene and in my mind speak to the topsy-turvy experience of recovery as we continue to negotiate the pandemic. “Highflying visionary bad boys of funk-n-roll whose early flash and promise crash-landed on various temptations and whose last decades found the, caught in the cycles of ruin and momentary rejuvenation, bobbing or vanishing beneath their own sea of troubles.” ~ Greg Tate, “Gil Scott-Heron, R.I.P.”, Village Voice, 2011
Three things want a frame to give them structure: a painting, a story, and a window. All take different kinds of framing, of course, but the concept is similar: physical or abstract, a frame implies a viewpoint. It is where you start from.
Where you end up, on the other hand, is another matter entirely, because frames—for paintings, for stories, or for windows—are not so simple. They are points of entry that at the same time throw up barriers and define boundaries: the viewer is on one side or the other. A frame simultaneously organizes, invites, points the way, and separates.
Windows, in particular, invite a multiplicity of meanings. Add a reflective surface, so light can work its magic, and you bring a sort of graceful confusion: what is on one side can coexist with what is on the other, the space behind and before the viewer overlaid. Where you have been shows itself side by side with where you are, or where you may yet be going.
Inside Outside Windowphilia are life-sized ink and watercolor paintings of windows on paper.
Started while on my first residency at the American Academy in Rome Magical Things is an ongoing series of watercolors that venerate the easily overlooked objects of everyday life. Mundane objects become totems, milagros—charms of mindfulness, imbued with a power greater than the sum of their parts. This series has taken some twists and turns. For example, in 2018 after my mother died, I began a trajectory of this work which brought me solace and comfort: Magical Things from My Mother’s House. When NYC was given stay-at-home orders in March 2020, I embarked on Magical Things from Quarantine which helped me to process the strangeness of the time. These small paintings have and will continue to serve as a ballast of sorts, a touchstone for day-to-day experience.
Inside Outside Freebird Books (Red Hook, Brooklyn)$25,00078″H X 55″W X 0″D
Inside Outside The Cloisters (NYC)$25,00055″H X 78″W X 0″D
Inside Outside Graceful Confusion (Atlantic Avenue$25,00078″H X 55″W X 0″D
Inside Outside Unnameable Books (Vanderbilt Avenue$20,00055″H X 41″W X 0″D
Inside Outside Recovery, Ceramics Studio$25,00091″H X 70″W X 0″D
Magical Things from Recovery Healing Garden Visual$1,40012″H X 12″W X 0″D
French Window Dora Maar View with Balcony$15,00042″H X 57″W X 0″D
Inside Outside English 1960’s (Red Hook, Brooklyn)$25,00075″H X 55″W X 0″D
Inside Outside Recovery, Rain$25,00055″H X 74″W X .5″D
Inside Outside Recovery, Waiting$15,00036″H X 36″W X 1″D
Magical Things Recovery Nikki de Saint Phalle PS1$1,40012″H X 12″W X 0″D
Magical Things from Recovery Locket$1,40012″H X 12″W X 0″D