After midnight we could feel it all…

Troy Ramos

$600

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This work is part of a series of three works which all have some shared qualities. This work in particular feels like it pulled towards some sort of a portrait. That often happens in my works. But it’s a balance between the position of shapes and the contrasting colors from my perspective, with whatever the work wants to become, as well. I really enjoy this work because it feels like a good harmony between the acrylic gestures and the spray paint movement. Quite often the work, and certainly the titles, have a lot to do with things that I’m listening to, or reading or watching. And I was listening to a lot of Beach House when I made this. Not entirely sure what affect music has on the way that I paint but I do not think the effect is 0%. So I think it has a lot to do with the creation of this work.

0.5
14"H × 11"W × 0.125"D
Painting
Acrylic
Abstract
Abstract
Unframed
Acrylic, Spray Paint and Mixed Materials on High-Quality Fine Art Paper
No
No

STATEMENT

'My religion is to trust myself'. My process involves creating art quickly to produce works which represent a particular moment in time. Years of study and experimentation have made significant contributions to my work. But simply trusting my instincts has encouraged more interesting results and has allowed me to avoid difficulties related to paralysis by analysis. There is often an appropriate amount of breathing between various aspects, layers or gestures within each work. But those breaths are also within the same period of time and space, so each new element still feels and looks like it emanated from materials which came before it.

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